{"id":4634,"date":"2014-02-14T00:00:00","date_gmt":"2014-02-13T23:00:00","guid":{"rendered":"https:\/\/nauivanow.com\/en-obert\/sade-was-myself\/"},"modified":"2014-02-14T00:00:00","modified_gmt":"2014-02-13T23:00:00","slug":"sade-was-myself","status":"publish","type":"event","link":"https:\/\/nauivanow.com\/es\/en-obert\/sade-was-myself\/","title":{"rendered":"Sade was myself"},"content":{"rendered":"

A partir de la obra <\/strong>de Mishima Madame de Sade<\/em>
Cia. Maria Stoyanova<\/strong>
Creaci\u00f3n e interpretaci\u00f3n: Maria Stoyanova<\/strong><\/strong><\/strong>
Asistente direcci\u00f3n: Mikel Ar\u00edstegui, Eva Isolde Balzer<\/strong><\/strong><\/strong>
Asistente movimiento: Mikel Ar\u00edstegui<\/strong>
Asistente dramaturgia: Eva Isolde Balzar<\/strong><\/strong>
Textos: Maria Stoyanova<\/strong><\/strong>
Dise\u00f1o de luz: Toni Alonso<\/strong><\/strong>
Creaci\u00f3n m\u00fasica: Michele Barox<\/strong><\/strong>
Audiovisuales: Toni Alonso<\/strong><\/strong>
Vestuario: Britt Sobotta<\/strong> <\/strong><\/p>\n

SINOPSIS<\/strong>
“Sade was myself <\/em><\/strong>parte de mi historia real. Describe casi 20 a\u00f1os, desde que dej\u00e9 Bulgaria, mi pa\u00eds de origen, y mi esfuerzo, miedo a olvidar mis ra\u00edces, idioma y cultura. La obra Madame de Sade<\/strong><\/em> de Mishima was myself<\/em> de impulso e inspiraci\u00f3n para profundizar en las tres preguntas que son la columna vertebral del espect\u00e1culo: “Si no soy yo, \u00bfqui\u00e9n?”, “Si no es aqu\u00ed, \u00bfd\u00f3nde?”, “Si no es ahora, \u00bfcu\u00e1ndo?” Maria Stoyanova <\/strong><\/p>\n

Maria Stoyanova <\/strong>(Sof\u00eda, Bulgaria, 1974) cursa sus estudios en Barcelona  y amplia su formaci\u00f3n en Polonia y Madrid.
En teatro ha creado y participado en m\u00e1s de 15 espect\u00e1culos, algunos de los cuales son Gitana en Barcelona<\/em> y Madama(s) Butterfly(s)<\/em> de creaci\u00f3n propia; The Acts<\/em> y The Acts III<\/em>, ambos bajo la direcci\u00f3n de Jillian Greenhalgh; Transformacions XY<\/em> bajo la direcci\u00f3n de Silvia Ferrando.
Ha participado en varios festivales en Berl\u00edn y Barcelona.
Destacan sus dos trabajos en relaci\u00f3n con la Investigaci\u00f3n Teatral: La Quietud<\/em> (2009) y Madama(s) Butterfly(s)<\/em> (2008).
Del 20 de octubre al 28 de noviembre de 2008, crea y lleva a cabo la experiencia de investigaci\u00f3n teatral con el apoyo de AnticTeatre. En el proyecto participan diferentes profesionales de las artes esc\u00e9nicas y de los medios audiovisuales. En este proceso nacen el espect\u00e1culo Una b\u00falgara en un campamento de verano ruso en Cuba<\/em>; varias obras de video arte en colaboraci\u00f3n con F\u00e1tima Tocornal y Tania Atanassova (su madre); la instalaci\u00f3n y performance con Diana Gadish La Espera<\/em>; la filmaci\u00f3n de un cortometraje sobre la experiencia bajo la direcci\u00f3n de Jos\u00e9 Iglesias y la investigaci\u00f3n teatral y entrenamiento actoral dirigido por Peter Gadish.
Ha participado en los largometrajes Nexo<\/em> de Jordi Cadena y Workingclass<\/em> de Xavi Berraondo. En series de TV3 (Catalu\u00f1a) y IB3 (Islas Baleares) y numerosos cortometrajes para grupos alternativos. Varias obras de video arte en colaboraci\u00f3n con artistas como F\u00e1tima Tocornal, Violeta Stoyanova , Patrick Wilen y otros. Documental y cortometraje de la experiencia Madama(s) Butterfly(s)- 40 d\u00edas de retiro creativo en AdriAntic<\/em>, dirigido por Jos\u00e9 Iglesias.
En septiembre del 2010 crea el proyecto Art\u00edstico Internacional Hope-Barcelona, Berl\u00edn, Sof\u00eda<\/em>, relacionado con la investigaci\u00f3n teatral, entrenamiento actoral y creaci\u00f3n de espect\u00e1culos con tres grupos de trabajo en cada una de las ciudades citadas.<\/p>\n

[www.mariastoyanova.com]<\/a><\/strong><\/p>\n

Producci\u00f3n: Antic Teatre \/ AdriAntic, Barcelona<\/strong><\/strong><\/strong><\/strong>
Coproducci\u00f3n: SpazioUno, Berlin<\/strong><\/strong><\/strong><\/strong>
Con el apoyo del CoNCA<\/p>\n

Mi\u00e9rcoles 11, 18 y 25 de enero \/ 1 de febrero<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong>
Duraci\u00f3n: <\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong>75 minutos aprox.
Venta de entradas: <\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong>Telentrada y 1h antes en taquilla<\/p>\n","protected":false},"featured_media":0,"template":"","event_type":[33],"class_list":["post-4634","event","type-event","status-publish","hentry","event_type-actos-abiertos"],"acf":[],"yoast_head":"\nSade was myself - Nau Ivanow<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nauivanow.com\/es\/en-obert\/sade-was-myself\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sade was myself - Nau Ivanow\" \/>\n<meta property=\"og:description\" content=\"A partir de la obra de Mishima Madame de SadeCia. Maria StoyanovaCreaci\u00f3n e interpretaci\u00f3n: Maria StoyanovaAsistente direcci\u00f3n: Mikel Ar\u00edstegui, Eva Isolde BalzerAsistente movimiento: Mikel Ar\u00edsteguiAsistente dramaturgia: Eva Isolde BalzarTextos: Maria StoyanovaDise\u00f1o de luz: Toni AlonsoCreaci\u00f3n m\u00fasica: Michele BaroxAudiovisuales: Toni AlonsoVestuario: Britt Sobotta SINOPSIS“Sade was myself parte de mi historia real. 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Maria StoyanovaCreaci\u00f3n e interpretaci\u00f3n: Maria StoyanovaAsistente direcci\u00f3n: Mikel Ar\u00edstegui, Eva Isolde BalzerAsistente movimiento: Mikel Ar\u00edsteguiAsistente dramaturgia: Eva Isolde BalzarTextos: Maria StoyanovaDise\u00f1o de luz: Toni AlonsoCreaci\u00f3n m\u00fasica: Michele BaroxAudiovisuales: Toni AlonsoVestuario: Britt Sobotta SINOPSIS“Sade was myself parte de mi historia real. 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